Born in Norway, working in UK.

Hilde Krohn Huse (b. 1988) is a Norwegian multidisciplinary artist based in the UK, working across film, performance, painting, drawing, printmaking, sculpture and textiles. Her work examines the construction of identity, the instability of belonging, and the ways personal and collective histories shape our understanding of home.

Huse was selected for Bloomberg New Contemporaries in 2015 and gained international attention for her video performance Hanging in the Woods. Her subsequent practice has continued to explore the relationship between the self and its representation, shifting towards questions of immigration, cultural inheritance and the narratives through which identity is formed.

Drawing on Norwegian national romanticism (Nasjonalromantikken), familial archives and culturally significant objects, Huse investigates the tension between lived experience and idealised notions of national identity. Through the material languages of textiles, found objects and sculpture, she considers how histories are preserved, reconstructed and sometimes imagined, particularly in relation to displacement and the longing for a homeland.

Her practice moves between the personal and the collective, approaching identity not as a fixed inheritance but as something continually assembled through memory, material culture and the desire to belong. Currently undertaking a part-time Master of Research at the Royal College of Art, Huse is developing an interdisciplinary research practice that brings artistic experimentation into dialogue with archival research and questions of cultural memory.